Posts Tagged ‘engagement’

SAPIENCE – My Favourite Short Stories Revisited Part 25

January 10, 2012

Academic and Creative Writing Journal Vikram Karve: SAPIENCE – My Favourite Short Stories Revisited Part 25.

Click the link above to read one of my earliest short stories SAPIENCE


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UMAMI

July 15, 2010

UMAMI

Short Fiction – A Delicious Love Story

By

VIKRAM KARVE

Part 1 – SPDP

SPDP.

That’s right – SPDP…!

You know what SPDP is, don’t you…?

You don’t? Don’t tell me you don’t know what SPDP is…!

Oh. I’m sorry.

Maybe you are not a Punekar.

And if you do live in Pune and still don’t even know what SPDP is, it’s a pity…a real pity…!

SPDP – Sev Potato Dahi Puri – that’s what the acronym SPDP stands for.

Why ‘Potato’ and not ‘Batata’…?

I do not know – you’ll have to ask the guys at Vaishali.

Now don’t tell me you don’t know what Vaishali is…?

That’s being real daft and clueless, isn’t it…?

Well, Vaishali is the landmark restaurant on Fergusson College Road which serves the best and tastiest SPDP in the world – no doubt about it…!

And talking about taste, do you know how many basic tastes there are…?

“Four…!” you will rattle out, and you will proudly tell me as if you were a know-it-all: “Sweet, Sour, Salty, Bitter.”

“Well, my dear reader, you’re wrong…!

There are five primary tastes – Sweet, Sour, Salt, Bitter, and Umami.”

Umami…?

You’ve never heard of it…?

Well I can tell you one thing: “Besides being a lost case, you’re no ardent foodie for sure…!”

Umami is the unique tingling ‘savouriness’ or ‘deliciousness’ of Oriental Cuisines.

Well let’s forget all that mumbo-jumbo. If you really want to know what Umami is, just go down to Vaishali, order an SPDP, gently put a portion in your mouth, close your eyes, roll the delectable SPDP till it dissolves on your tongue, and you will experience what Umami tastes like…!

Now talking of rolling the SPDP on your tongue – have you noticed that as you roll your food on your tongue its taste changes and flavour varies as the food interacts with different regions of your tongue…?

The ‘Tongue Map’ – ever heard of it…?

You haven’t…?

Don’t tell me you haven’t heard of the Tongue Map…?

Hey, you are a real dumbo, aren’t you…?

Then try this yummy scrummy mouth-watering game.

Take some spicy chatpatta stuff, like Bhel, Chaat, or SPDP, and put some on your tongue.

Never heard of these things…?

I knew it.

But not to worry, it doesn’t matter. Relax. It’s okay. It just doesn’t matter…!

You can do this eating experiment with Chopsuey – yes, yes, the usual American Chopsuey you get at these ubiquitous Chinese eateries proliferating like hobgoblins all over the place.

Close your eyes.

Yes, you must close your eyes to heighten your awareness, your mindfulness.

Now focus inwards to accentuate your gustatory, kinaesthetic and olfactory sensations, and gently press the rich juicy scrumptious Chopsuey against your palate with the tip of your tongue.

It tastes heavenly doesn’t it…?

That’s Umami…yes… the taste you are experiencing is called UMAMI…!

Now slowly roll the chopsuey backwards to the right side of your tongue and notice how its sweetness enhances, and it moves back the relish the tangy sweetish-sourness, the inimitable sweet and sour flavour – to the left – a tinge of delicious subtle bitter flavour – and as you move the delectable melange forward on the left side of your tongue, soak up the tingling vitalizing scrummy saltiness, till once again you experience the intense lip-smacking luscious flavoursome savouriness of Umami.

That’s exactly what I am doing here right now, sitting on a lovely rainy evening at my favourite table in Vaishali restaurant on Fergusson College road in Pune.

Dissolving exquisite tingling mouth-watering portions of SPDP on my tongue, my eyes closed, senses focussed inwards, luxuriating in sheer epicurean bliss, trancelike ecstasy, epiphany, when suddenly, unwittingly, on the spur of the moment, I open my eyes, and I am totally astonished, shocked out of my wits, baffled and dazed, to see her standing at the entrance.

Instantaneously, I avert my eyes, try to hide myself in the SPDP in front of me, wishing, hoping against hope, that it is not her, and slowly, furtively, with tremors of trepidation, glance, through the corner of my eyes, a fleeting look, and my hopes are dashed, my worst fears come true, the delicious zesty SPDP turns tasteless in my mouth, like cud, and I wish the ground beneath me opens up and swallows me in.

I wish she doesn’t see me, so I look away, try to hide.

I do not want to meet her.

Tell me, which loser wants to meet a winner…!

Have you ever seen a failure attending a reunion, and enjoying it…?

At this stage of my life, I avoid people who are more successful than me.

The company of those less accomplished than you is always more comforting… at least for losers and “failures” like me.

Suddenly I sense she is near me.

Hesitantly, I look up.

We look at each other.

Priyamvada has blossomed. She looks exquisite, even more beautiful than before – radiant, slick, chic, booming with confidence – all the things that I am not.

“Hi, Praveen,” she says excitedly, “what a surprise…!”

“Yes,” I say nonchalantly.

“Hey, what’s the matter?  You’re not happy to see me…? Won’t you ask me to sit down…?” she says.

“Of course I am happy to see you. I’m sorry, but I was lost in my thoughts…do sit down and please do join me,” I say.

“Wow…! Having SPDP…? I too will have an SPDP,” she says cheerfully the moment she sits down opposite me.

“You like SPDP…?”

“I love it. SPDP in Vaishali – it brings back nostalgic memories too…!”

“Nostalgic memories…?”

“Vilas saw me for the first time right here – while I was having SPDP with my college gang.”

“So…?”

“He fell in love with me – love at first sight.”

“So…?”

“So he told his parents.”

“What…?”

“That he wanted to get married to me.”

“And…?”

“He told his parents that if at all he ever got married it would be to me and to no one else.”

“Oh…”

“His parents were delighted as he’d been rejecting proposals for years, avoiding marriage on some pretext or the other. So they found out about me from my college and landed up at my place to ask for my hand in marriage.”

“And you jumped…?”

“Jumped…?”

“Jumped with joy at the golden opportunity and dumped me without a thought and married a man twice your age…!”

“Twice my age…? What nonsense. Vilas wasn’t twice my age, just 30.”

“And you…? You were just a teenager then. Bloody cradle-snatcher…!”

“I wasn’t a teenager. I was 20.”

“It’s the same thing.”

“Praveen. Tell me, why are you still so bitter even today…? Just forget it…!”

“Forget it…? I can’t. You broke my heart.”

“Broke you heart…? I broke your heart…?”

“I was in love with you. We were in love with each other.”

“Love…? Come on, Praveen. It was just infatuation – one sided inchoate infatuation.”

“One sided infatuation…? I am sorry to hear that. I am really sorry to hear that. And then it was not only that. You made me the laughing stock of society. Not only me, my whole family…!”

“What do you mean?”

“What do I mean? You know what I mean!”

“What?”

“You know how it was then. A boy rejecting a girl is okay, but a girl rejecting a boy? That too in Madiwale Colony – you can’t even imagine the unimaginable agony I suffered. I became the laughing stock of town – not me alone, our whole family. I couldn’t even walk the streets peacefully without sensing those unspoken taunts and unseen jeers. It was terrible – really cruel of you.”

“I’m sorry. I didn’t mean to hurt you. But I never wanted to marry you.”

“Then why did you say ‘yes’?”

“I don’t know. My parents were in a hurry. They showed me your photograph – it was all so confusing,” she says taking a sip of water, “please let’s talk something else.”

“No. I want to know why you ditched me for that richie-rich tycoon. Was it just money?”

“No. It’s not that. You were too mediocre.”

“Mediocre…? I’d passed out from an IIT…!”

“So what…? Remember when I asked you what your plans were…and do you know what you said…? The way you told me your philosophy of life…”

“Philosophy of life…? I think I just said that I never plan anything, that I just flow along, and take life as it comes.”

“Oh yes, just flow along. No ambitions. No aspirations. No dreams. No desire to achieve anything in life. Well I always wanted to get out of the middle class, have success, prosperity, see the world, enjoy the good things in life, and not spend my entire life going nowhere with an apathetic husband like you with no plans in life, listening to sermons on thrift and frugality.”

Priyamvada pauses for a moment, and then continues speaking, “I’m so sorry, but in life one has to be rational isn’t it…? One has to have plans in life.”

“Oh, yes. Plans in life…!” I say caustically, “And looking at you it’s evident that all your plans seem to have worked pretty well…”

I stop speaking at once, for seeing the sudden transformation in the expression on her face I instantly know that I have said something terribly wrong.

(To be continued…)

UMAMI

Short Fiction – A Delicious Love Story

Part 1 -SPDP

By

VIKRAM KARVE

Copyright © Vikram Karve 2010

Vikram Karve has asserted his right under the Copyright, Designs and Patents Act 1988 to be identified as the author of this work.

http://vikramkarve.sulekha.com

http://www.linkedin.com/in/karve

vikramkarve@sify.com

A Lazy Hot Afternoon in Mumbai

July 27, 2009

Métier

[Short Fiction – A Romance]

By

VIKRAM KARVE

What is the best way to kill a lazy hot afternoon in South Mumbai?

You can go window-shopping on Colaba Causeway; enjoy a movie at Eros or Regal; loaf aimlessly around Churchgate, Fountain, Gateway of India or on the Marine Drive; leisurely sip chilled beer at Gaylord, Leopold, Sundance or Mondegar; browse at the Oxford Book Store or in the Mumbai University Library under the Rajabai clock-tower; watch cricket sitting under the shade of a tree at the Oval; visit the Museum; or, if you are an art lover, admire the works of budding artists on display in the numerous art galleries in the Kalaghoda art district.

That’s what I decide to do.

At 11 o’clock in the morning I stand at the entrance of the JehangirArt Gallery at Kalaghoda in Mumbai. I walk into the exhibition hall to my right. The art gallery has just opened and I am the first visitor.

Standing all alone in placid relaxing hall, in peaceful silence, surrounded by paintings adorning the pristine white walls, I experience a feeling of soothing tranquillity – a serene relaxing calm – and for the first time after many hectic, harried and stressed days, I experience an inner peace and comforting silence within me and, at that moment, I know what it feels like to be in harmony with oneself.

I leisurely look around at the paintings. I see a familiar face in a portrait. An uncanny resemblance to someone I know.

The face on the canvas stares back at me. Comprehension strikes like a thunderbolt. It’s me! Yes – it’s me! No doubt about it! Someone has painted my portrait, my own face.

I look at myself. I like what I see. It is a striking painting, crafted to the point of the most eloquent perfection.

I am amazed at the painter’s precise attention to detail – my flowing luxuriant black hair, delicate nose, large expressive eyes, even my beauty spot, the tiny mole on my left cheek; the painter has got everything right.

Never before have I looked so beautiful; even in a photograph. My face looks so eye-catching that I can’t help admiring myself – like Narcissus.

I look at the title of the painting on a brass tally below – My Lovely Muse. Muse?

I’ve never modelled for anyone in my life. Who can it be?

Suddenly I notice a wizened old man staring at me. He looks at the painting and then at me, and gives me a knowing smile.

“Excuse me, Sir,” I ask him, “do you know the artist who painted this?”

“I’m the painter,” a gruff voice says behind me. I turn around and look at the man. With his flowing beard, unkempt hair and dishevelled appearance he looks like a scruffy scarecrow. At first sight, totally unrecognizable.

But the yearning look of frank admiration in his eyes gives him away. No one else has ever looked at me in that way and I know he is still desperately in love with me.

“Do I see the naughty boy I once knew hiding behind that horrible shaggy beard?” I say to him.

“Do I see the bubbly and vivacious girl I once knew hiding inside the beautiful woman standing in front of me?” he responds.

“You look terrible,” I say.

“You look lovely – like a flower in full bloom,” he says.

I feel good. Aditya may be in love with me, but there is no pretence about him. I know the compliment is genuine.

“Come, Anu,” he says taking my arm, “let me show you my work.” And as we walk around he explains the themes, nuances and finer points of each painting.

Here I feel a sense of timelessness – a state of supreme bliss. I wish this were my world; sublime, harmonious, creative. I wish I’d stayed on; not burnt my bridges. Or have I?

“Let’s eat, I’m hungry,” Aditya interrupts my train of thoughts.

“Khyber?” I ask.

“No. I can’t afford it,” he says.

“I can,” I tease.

“The treat’s on me,” he asserts, pulls me gently, and says, “Let’s go next door to Samovar and have the stuffed parathas you loved once upon a time.”

“I still do,” I say, and soon we sit in Café Samovar enjoying a lazy unhurried lunch relishing delicious stuffed parathas.

“What time do you have to go?”

“I’ll collect the visa from Churchgate at four and then catch the flight at night.”

“Churchgate? I thought the visa office was at Breach Candy!”

“That’s the American visa. It’s already done. The British visa office is at Churchgate.”

“Wow! You are going to England too?”

“Of course. US, UK, Europe, Singapore. Globetrotting. The next few months are going to be really hectic. It’s a huge software development project.”

“Lucky you! It must be so exciting. You must love it!”

“I hate it!”

“What?”

“It’s unimaginable agony. Sitting in front of a computer for hours and hours doing something I don’t like.”

“You don’t like it? Then why do you do it?”

“I don’t know,” I say. “Aditya, do you know what the tragedy of my life is?”

“What?”

“My biggest misfortune is that I am good at things I don’t like.”

“Come on, be serious! Don’t tell me all that.”

“I hated Maths, but was so good at it that I landed up in IIT doing Engineering, and that too Computers.”

“But you’re damn good. A genius at computers. That’s why they are sending abroad aren’t they? The youngest and brightest project manager! You told me that.”

“Being good at work is different from liking it. You know, the thing I despise the most – sitting like a Zombie in front of the monitor for hours, discussing tedious technical mumbo jumbo with nerds I find insufferable. It’s painful, but then I am the best software expert in the company, the IT whiz-kid!”

“Yes. I know. It’s true. It is indeed a great tragedy to be so good at something you hate doing. That’s why I quit practice and am doing my first love – painting. I don’t know how good I am but I certainly love doing it.”

“But you are so good. You must be minting money, isn’t it?”

“Not at all. I told you I couldn’t afford Khyber. Just about make ends meet.”

“I thought artists make a lot of money. The art market is booming.”

“Only the established ones. Not struggling types like me!.”

“Come on, Aditya. Don’t joke. Tell me, how can you afford to have your exhibition here in Jehangir?”

“There’s a patron. An old lady. She encourages budding artists like me. She’s given me a place for my studio.”

“Just like that?”

“Yes. There are still a few such people left in this world. I present her a painting once in a while,” he pauses and says, “But today I’m going to be lucky. Looks like My Lovely Muse is going to fetch me a good price. Thanks to you!”

“Thanks to me?”

“You were the model for this painting. My inspiration. My Muse!”

“I never modeled for you!”

“You don’t have to. You image is so exquisitely etched in my mind’s eye that I can even paint you in the nude.”

“Stop it!” I say angrily, but inside me I blush and feel a kind of stirring sensation.

“Tell me about yourself, Anu,” Aditya says, changing the subject.

“I told you. About my painfullyboring work. And you won’t understand much about software. Spare me the agony. I just don’t want to talk about it.”

“You still paint?”

“No. I stopped long ago. At IIT.”

“Why?”

“No time. Too much study, I guess. And the techie crowd.”

“You should start again. You’re good. You’ve got a natural talent.”

“It’s too late. That part of me is dead. Now, it’s work and meeting deadlines. An intellectual sweatshop.”

“Come on Anu, cheer up. Tell me about your love life?”

“The company is taking care of that too! They are trying to get me hooked to some high flier Project Manager in my team.”

“Don’t tell me? What’s his name?”

“Anand.”

“Wow! Anu and Anand! Made for each other!”

“You know they set us up as per their convenience, facilitate working together all the time, encourage office romance, and even give us a dating allowance.”

“Dating allowance? Office romance! It’s crazy! Just imagine – Paying people money to fall in love!”

“Helps reduce attrition, they say; makes people stay on in the company. Nerds understand each other better; can cope better together, at work and at home. That’s what they say. Smart fellows, those guys in HR – they try and team us up as it suits them. They are dangling carrots too – like this trip abroad. They’ve even promised us a posting together to Singapore on a two year contract, if things work out.”

“It’s great!”

“Great? Are you crazy? Just imagine living full-time with a boring number crunching nerd all my life, doing nothing but being buried in software, day in and day out. I shiver at the very thought.”

“Tell me, who would you like to marry?”

“I don’t know.”

“How about marrying me?”

“Come on, be serious.”

“I’m serious. We could paint together, do all the creative stuff you always wanted to do. Live a good life.”

“Let’s go,” I say changing the topic.

“Anu. Remember. If you love flowers, become a gardener. Don’t curb your creativity. A lifetime of having to curb the expression of original thought often culminates in one losing one’s ability to express.”

“I’ve got to go, Aditya. It’s almost four. The visa should be ready by now.”

“Wait. Let me give you a parting gift to remember me by.”

Aditya calls the curator and tells him to gift wrap and pack the painting titled ‘My Lovely Muse’.

“Sir, we’ll get a good price for it. I’ve already got an offer,” the curator says.

“It’s not for sale,” Aditya says, “It’s a gift from an Artist to his Muse.”

I am overcome by emotion at his loving gesture. I look at Aditya.

It is clearly evident that Aditya is really deeply in love with me. And me?

Am I in love with him? Tears well up in my eyes. My throat chokes. My heart aches.

I find myself imprisoned in the chasm between the two different worlds – Aditya’s and mine.

But soon the rational side of me takes charge, and as we part, Aditya says, “Bye, Anu. Remember. If you can do something well, enjoy doing it and feel proud of doing it, then that’s your perfect métier. There’s no point living a lie. You’ve got to find yourself.”

I hold out my hand to him.

He presses my hand fondly and says, “Start painting. You must always do what you love to do. That’s the highest value use of time – time spent on doing what you want to do.”

“And what is the lowest value of time?” I ask.

“Doing what you don’t like just because others want you to do it.”

“Or maybe for money!”

“Money?” he asks, and then he looks lovingly into my eyes and says, “Anu, don’t destroy your talent by not using it.”

I get into a taxi and drive away form his world, my dream-world; into the material world of harsh reality.

In the evening, I sit by the sea, at the southern tip of Marine Drive and watch the glorious spectacle of sunset. As I watch the orange sun being gobbled up the calm blue sea, and crimson petals form in the sky, my mobile phone rings.

It is Anand, my Project Manager, with whom my romance is being contrived, from the airport. “Hey, Anuradha. The flight is at 10, check in begins at 8; make sure you are there on time. Terminal 2A.”

“I’m not coming,” I say.

“What do you mean you’re not coming?” Anand shouts from the other end.

“I mean I’m not coming,” I say calmly.

“Why? What’s wrong? Someone made you a better offer?”

“It’s nothing like that. I’ve discovered my métier. I’m going back to the world where I really belong,” I say.

“Where are you? How can you ditch us like this at the last moment?” he pleads.

I know if this is the defining moment of my life. It’s now or never. I have to burn my bridges now. “I have made my decision, Anand. I am not coming back. I have to discover my true self, do what I want, be happy from the inside. I’m sorry, Anand. I’m sure you’ll find someone else, your soul-mate, at work and for yourself. Best of luck!”

I switch off my cell-phone. I look at it. The last of the manacles! Deliberately, I throw the mobile phone into the Arabian Sea.

I begin walking towards the place where I know I’ll find Aditya.

And then I will return to the world where I really belong to realize my true metier and be my own Muse!

VIKRAM KARVE

Copyright © Vikram Karve 2009

Vikram Karve has asserted his right under the Copyright, Designs and Patents Act 1988 to be identified as the author of this work.

vikramkarve@sify.com

http://www.linkedin.com/in/karve

http://vikramkarve.sulekha.com

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